Anyone who makes a film can decide who sees it and who copies it.
That’s called copyright. The “Right to Copy”. This law protects the artist and their work.
Copyright not only protects YOU when you create something original, but it also protects other artists as well.
When making a film, you must respect copyright of other artists when you want to use their music, video, film, artwork, photographs, etc. You MUST have their permission and/or pay to copy their work.
And if you have the dream of having your film seen on television, you will have to PROVE to those broadcasters you own all the rights to every piece of content in your movie. That means you will need documentation for every single item in your movie – music, photos, film clips, graphics… everything. If it was not originally created by YOU, then you will need to have a document showing you have permission to use it and copy it.
This was a major ordeal during the production of my documentary Briars in the Cotton Patch. I hired a composer for about 2/3 of the music, but I had to get permission and obtain the rights for the other music clips. I then had to document each and every piece of music with name of artist, publisher, record company, plus have a letter confirming I had their permission. I also used quite a bit of historical/archival footage, some of which was free and in the public domain, others which I had to pay for and get the rights.
The safest way to stay out of trouble is to:
Create all your own content (music, movies, photos, etc).
Use content in the Public Domain, such as old government films stored in the national archives. Check out www.archive.org for lots of free downloadable film clips.
Use content that has been made available under a Creative Commons License. This is a very cool system where the artist keeps the copyright, but allows others to copy and share their work as long as you give them credit and/or follow some pre-set conditions.
Copyright Issues and Clearances:
When you make a film, everything MUST be cleared.
You must have clearances for all of the following:
Clearances needed:
Script
Music
Locations
Contributors
Products
Company Logos
CONSENT FORMS FOR PEOPLE IN THE FILM
The best and easiest thing to do is get permission before filming begins. It’s a HUGE hassle to track down people later.
Get people to give their consent on paper with a video release form and also on camera. Tell them to look in the camera and read something like: “I, Sue Smith, agree to be filmed in this documentary about such and such and understand it will be used for broadcast on the internet and television, without conditions.” The last thing you want is someone to sue you because you used them in your film without their permission. It’s NOT worth it.
Children: You must have parental consent for children (under 18). Always take special thought and care when dealing with children.
LOCATION PERMISSIONS:
Before you shoot on private property, get permission from the owners first. It’s best to get a signed released.
AMBIENT MUSIC
If you are filming inside a restaurant or store and music is playing on the overhead speakers, be aware that if you use it in your film, you will need to get permission. If the music is not important, best case is to get it turned off while you’re shooting or simply edit it out of your movie. Same goes if you’re in a car and the radio is turned on while you’re filming.
LAW OF THE LAND
Don’t do anything illegal. Don’t encourage criminal behavior and don’t film yourself doing an illegal act. Always remain an impartial observer.
WATCH OUT FOR DEFAMETORY REMARKS
If one of your subjects slanders someone, making accusations that may or may not be true. (“She robbed that bank” “she’s a drug user”) Check your facts. If these statements are not true or if that person is in the middle of legal proceedings, you, the filmmaker, could be in contempt of court for influencing court proceedings.
PLAYING IT SAFE VS TELLING AN INTERESTING STORY
There’s always a fine line between keeping your movie so “safe” and “sanitized” that it’s boring vs. making it so salacious that it crosses moral, ethical and legal lines. You, your crew and your lawyer will need to walk that line together. To see just how thin a line can get, watch the movie “Borat”.
FINAL THOUGHTS
Often, copyright issues are the last thing the filmmaker thinks of when they’re outputting their movie to DVD. But copyright should be the FIRST thing you think about as you plan and beginning shooting your movie. It could be difference between an audience seeing your movie or having it buried forever in a legal mess, never to see the light of day.
Legal Check-List
Get Permissions (from interviews & locations)
Get Clearances (music, photos, etc)
Check Your Facts
Check for Fairness
Make Certain of all Ownership
We offer Copyright Registration Services
Right from your Desktop.....
That’s called copyright. The “Right to Copy”. This law protects the artist and their work.
Copyright not only protects YOU when you create something original, but it also protects other artists as well.
When making a film, you must respect copyright of other artists when you want to use their music, video, film, artwork, photographs, etc. You MUST have their permission and/or pay to copy their work.
And if you have the dream of having your film seen on television, you will have to PROVE to those broadcasters you own all the rights to every piece of content in your movie. That means you will need documentation for every single item in your movie – music, photos, film clips, graphics… everything. If it was not originally created by YOU, then you will need to have a document showing you have permission to use it and copy it.
This was a major ordeal during the production of my documentary Briars in the Cotton Patch. I hired a composer for about 2/3 of the music, but I had to get permission and obtain the rights for the other music clips. I then had to document each and every piece of music with name of artist, publisher, record company, plus have a letter confirming I had their permission. I also used quite a bit of historical/archival footage, some of which was free and in the public domain, others which I had to pay for and get the rights.
The safest way to stay out of trouble is to:
Create all your own content (music, movies, photos, etc).
Use content in the Public Domain, such as old government films stored in the national archives. Check out www.archive.org for lots of free downloadable film clips.
Use content that has been made available under a Creative Commons License. This is a very cool system where the artist keeps the copyright, but allows others to copy and share their work as long as you give them credit and/or follow some pre-set conditions.
Copyright Issues and Clearances:
When you make a film, everything MUST be cleared.
You must have clearances for all of the following:
Clearances needed:
Script
Music
Locations
Contributors
Products
Company Logos
CONSENT FORMS FOR PEOPLE IN THE FILM
The best and easiest thing to do is get permission before filming begins. It’s a HUGE hassle to track down people later.
Get people to give their consent on paper with a video release form and also on camera. Tell them to look in the camera and read something like: “I, Sue Smith, agree to be filmed in this documentary about such and such and understand it will be used for broadcast on the internet and television, without conditions.” The last thing you want is someone to sue you because you used them in your film without their permission. It’s NOT worth it.
Children: You must have parental consent for children (under 18). Always take special thought and care when dealing with children.
LOCATION PERMISSIONS:
Before you shoot on private property, get permission from the owners first. It’s best to get a signed released.
AMBIENT MUSIC
If you are filming inside a restaurant or store and music is playing on the overhead speakers, be aware that if you use it in your film, you will need to get permission. If the music is not important, best case is to get it turned off while you’re shooting or simply edit it out of your movie. Same goes if you’re in a car and the radio is turned on while you’re filming.
LAW OF THE LAND
Don’t do anything illegal. Don’t encourage criminal behavior and don’t film yourself doing an illegal act. Always remain an impartial observer.
WATCH OUT FOR DEFAMETORY REMARKS
If one of your subjects slanders someone, making accusations that may or may not be true. (“She robbed that bank” “she’s a drug user”) Check your facts. If these statements are not true or if that person is in the middle of legal proceedings, you, the filmmaker, could be in contempt of court for influencing court proceedings.
PLAYING IT SAFE VS TELLING AN INTERESTING STORY
There’s always a fine line between keeping your movie so “safe” and “sanitized” that it’s boring vs. making it so salacious that it crosses moral, ethical and legal lines. You, your crew and your lawyer will need to walk that line together. To see just how thin a line can get, watch the movie “Borat”.
FINAL THOUGHTS
Often, copyright issues are the last thing the filmmaker thinks of when they’re outputting their movie to DVD. But copyright should be the FIRST thing you think about as you plan and beginning shooting your movie. It could be difference between an audience seeing your movie or having it buried forever in a legal mess, never to see the light of day.
Legal Check-List
Get Permissions (from interviews & locations)
Get Clearances (music, photos, etc)
Check Your Facts
Check for Fairness
Make Certain of all Ownership
We offer Copyright Registration Services
Right from your Desktop.....
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